The
"Language of Space"
By T. Peter Park
Probably the most bizarre artificial "universal" language of recent
times is aUI (pronounced "a-OO-ee"), the "Language of Space." aUI,
meaning "space-spirit-sound" or "space-language," and advertised as the
"Pentecostal Logos of Love and Peace," was launched on Planet Earth in
the 1960's by John W. Weilgart, an Austrian-born Iowa psychiatrist who
claimed to have learned the language as a young boy from a little green
elf-like humanoid from outer space. The little green spaceman told
Weilgart that aUI was the literally universal language used by
intelligent beings on all planets throughout the Cosmos. aUI,
according to Weilgart, is a perfectly logical and rational language,
and learning aUI can actually cure a person of irrational
thinking patterns.
I first heard of John W. Weilgart, aUI, and how he allegedly
receivied the language, in a couple of articles on UFOs published in
the late 1960's by Brad Steiger, a prolific, rather sensational popular
writer on UFOs and other weird, para-scientific, and occult topics.
Steiger apparently took Weilgart's story of the little green man quite
seriously, and discussed aUI as a quite possibly valid,
important, and worth-while revelation from our "space brothers." A few
years ago, just out of curiosity, I decided to see for myself what aUI
was like, and ordered two of Weilgart's books: aUI: The
Language of Space: Pentecostal Logos of Love & Peace, 4th edn.
(Decorah, IA: Cosmic Communication Company, 1962, 1979) and Cosmic
Elements of Meaning: Symbols of the Spirit's Life: A Cosmology for
Mankind's Survival in the Atomic Age of Space (Decorah, IA: Cosmic
Communication Co., 1975). The "philosophy" of the books strikes me as
pure Southern California neo-Theosophic New Ageism, like the
revelations of a slightly more intelligent and literate George Adamski
or Shirley MacLaine. However, the aUI language itself strikes
me as a really rather interesting example of a constructed à
priori "oligosynthetic" language rather in the tradition and spirit of
the 17th century glossopoeic efforts of John Wilkins, George Dalgarno,
and Gottfried Wilhelm von Leibniz.
aUI seems to completely ignore and by-pass the
intuitive language of human psychological sound-symbolism discussed by
linguists like Morris Swadesh (The Origin and Diversification of
Language, 1971), Otto Jespersen (Language: Its Nature,
Development and Origin, 1922), and Edward Sapir (Selected
Writings of Edward Sapir in Language, Cultureand Personality, ed.
David G. Mandelbaum, 1949, 1963). It seems to represent either a
totally à priori "out of thin air" attempt to create a perfectly
logical language with no dependence whatsoever on material from any
natural languages, or else a language reflecting the natural psychology
and intuitive sound symbolism of an alien, non-human race. I have no
idea whether Weilgart was "on the level" in attributing aUI to
a little green elf-like space-being who visited him in his boyhood. If
Weilgart was honest, and not a conscious liar or hoaxer, in telling
such a story, I have no idea whether he simply suffered from a delusion
(psychiatrists are by no means immune from mental disturbance), or
perhaps truly had a "close encounter" with a non-human intelligent
alien of some sort. The "non-human," counter-intuitive character of aUI
might almost be considered an argument in favor of an alien origin. If aUI
is indeed a real language, it may be an outgrowth of a biology,
physiology, and psychology, a background of sense- and speech-organs
and of day-to-day and minute-to-minute bodily and environmental
sensations, very different from the ones underlying human language.
Ultimately, the intuitive language discussed by linguists like Otto
Jespersen, Edward Sapir, and Morris Swadesh is rooted in human biology
and physiology. Intelligent creatures with a different biology,
physiology, and evolutionary background from Homo sapiens might
have a very different intuitive language from ours, one that would
leave us cold, puzzled or irritated but would seem and feel "logical"
and "natural" to them. aUI might well be a language based on
such an alien physiology, psychology, and sound- symbolism. aUI
could easily be a language for robots--or even for the frail-bodied
big-headed "Grays" with enormous dark "wrap-around" eyes described by
alleged UFO abductees. One could easily imagine Whitley Strieber's
"Visitors," or the bedroom invaders with enormous bald heads and huge
dark slanted eyes, performing genetic and medical experiments on Budd
Hopkins', John Mack's, and David M. Jacobs' patients, as conversing
among themselves in aUI. We can imagine a "Gray" surgeon asking
his assistants in aUI during one of those medical examinations
or genetic experiments described by supposed abductees, "please pass me
the ovarian probe," "please bring me the nasal implant
insertor,""please activate the sperm-collecting suction cup," or
"please bring hybrid baby No. 387 from the incubator and show it to the
patient to facilitate emotional bonding." The thought of a "Gray"
referring to the spouse of an abductee as her bvu ("husband,
together-active-man") or his byvu ("wife,
together-inactive-person"), pronounced (in English phonetics) as
something like "b'VOO" or something like "BÜ- voo," somehow just
sounds oddly apt and natural to me. aUI sounds, indeed, very
much like what most of us might come up with if we tried to imagine the
native language of Zeta Reticuli, the supposed home solar system of the
creatures who allegedly abducted and medically examined Barney and
Betty Hill on their famous or notorious "Interrupted Journey" through
the New Hampshire White Mountains in September 1961.
A Short Course in aUI
In aUI, each sound of the language--each vowel and each
consonant--is a "basic element" signifying one basic concept, and the
meaning of every word can be analyzed into the "elements" of which it
is built up. Essentially, this means that every letter stands for one
particular basic idea, and always stands for that idea. The aUI
alphabet and sound-system consists of the short vowels (lower-case)
a,e,i,o,u,y,q, the long vowels (upper-case) A, E,I,O,U, the nasalized
vowels (long and short) a*,e*,i*,o*,u*,y*,A*,E*,I*,O*,U*, Y*, and the
consonants r, L, m, n, w, v, f., h, j, c, s, z, g, k, t, d, p, b. The
long and short vowels aeiouAEIOU are pronounced as in Spanish, Italian,
and German; y is pronounced like German ü in Brücke,
fünf or French u in lutte, duc; Y* corresponds to the German
ü, üh in über, kühl or the French u, û in
pur, mur, dur, Vaucluse, s'amuse, sûr; q has the sound of German
ö or French eu; c is like English sh in ship, shoe, fish; j has
the zh sound of s in pleasure, z in azure; x has the sound of German ch
in Buch, Nacht, machen, sprach, doch; g is always "hard" or velar as in
English go, get; the b,d,f,h,k,L,m,n,p,r,s,t,v,w,z have their usual
English values. The short nasal vowels a*,e*,i*,u*,o* stand for
respectively the numbers 1,2,3,4,5, while the long nasal vowels
A*,E*,I*,U*,O* represent respectively the numbers 6,7,8,9,10; zero is
indicated by Y*, the nasalized version of the sound of Germanü in
über, Führer or French u.in dur, mur, s'amuse, Vaucluse. The
short vowels a,e,i,u,o,y,q stand respectively for "space/place (a),
movement (e), light (i), man/human/person (u), life (o), no/not (y),
Condition(al)/if (q)."
Negation (no, not, non-, un-, anti-), which is expressed by nasal
grunts in the natural intuitive language described by linguists Otto
Jespersen and Morris Swadesh, and by Esperanto ne, Loglan no, Lojban
na, is expressed in aUI instead by y, the sound of German
ü or French u. The long vowels A, E, I, U, O signify respectively
"time (A), matter (E), sound (I), mind/spirit (U), feeling (O)." The
name of the language, aUI, thus, literally means "space
(a)-mind, spirit (U)-sound (I)," the "mind-sound of space," thus "the
language of space." Of the consonant phonemes, w signifies "power,
strong, work." Thev represents "action, do, make, active" and as final
-v serves as the aUI verb-ending. The m stands for "quality,"
and -m serves as the aUI adjective ending, corresponding to
English -ful, -ish. The n signifies "quantity, number, count, many,"
and final -n serves as the plural sign. Neither the m nor the n, we may
note, bears any of the symbolic associations of the nasals stressed by
Swadesh, such as "negation, first- or second-person pronoun, mother,
woman." The r means "positive, good," while L signifies "round." Of the
other aUI consonants: f means "this," h means "question, what?,"
j stands for "equal, equality, even, horizontal," c means "exist, be,
is," s denotes "thing," z designates "part, divide," g signifies
"inside, inner," and k stands for "above, up, top, high, upper."
Finally, t denotes "toward, to, direction, tendency," d means "through,
by means of," b signifies "together," and p represents "before, front,
in front, pre-, pro-, proto-." Again, it is difficult to see any
similarity or correspondence in any of this to the symbolic
associations of different phonemes suggested by Otto Jespersen and
Morris Swadesh.
From y, "negative, no, not, un-, anti-" and Y* "zero," we get the
derivatives ya"nowhere"("no-space, no-place"), yA "never" ("no-time"),
yr "no!" ("not-yes, un- positive"), yr- "mal-, ill-, bad-, dys-"
("no-good, un-good"), yc "not, is not" ("not-is, not- be"), yg "out,
outside, outer" ("not-inside, non-inner"), yk "under, below, low,
lower" (""not-above, un-high"), Y*n "no, none, no one"
("zero-quantity"), yn- "little, micro, mini- " ("not-much, not-many"),
and yv "female, passive" ("not-active, not-doing"), as compounds of y
"no, not" or Y* "zero" respectively with a "space, place," A "time," r
"positive, good," c "be, exist, is," g "inside, inner," k "above, up,
top, high, upper," n "quantity, number, amount, many" and v "action,
do, make, active." The word yv "female, passive" is especially
interesting for two reasons: for the rather old-fashioned Earthly
sexism implicit in defining "female" as "passive, non-active," a male
chauvinism decidedly somewhat surprising in enlightened galactic
starfarers, and for its total absence of the nasal sounds m, n, or ng
suggesting "suckle, mother, woman" stressed by Morris Swadesh and shown
by Swadesh to be presented in the words for "mother," "woman," "girl,"
or "female" in most of the world's natural languages--one gets the
feeling that, if Weilgart did indeed first learn aUI from a
little green elf-like space-man, this means that the aliens (1) don't
suckle their babies and (2) keep their women down.
The basic aUI pronouns, too, seem somewhat "non-human," or at
least totally detached from the intuitive sound symbolism described by
Jespersen and Swadesh. The demonstrative is f, "this," from which we
get fu "I, me" (literally "this person," from f +u "man, human,
person"), fnu "we" (literally "this-many-person"), fa "here" (literally
"this place", from f + a "space, place"), and yfa "there" (literally,
"not here, not this place"). The demonstratives can also be expressed
as fE "this" (literally "this matter") and pfE "there" (literally
"before-this-matter"). The other personal pronouns are bu "you"
("together-person"), bnu "you, plur." ("together-many-person"), vu "he"
("active-person, male-person"), and yvu "she" ("inactive person, female
person"). Again, none of these sound too much like pronouns or
demonstratives inspired by Swadesh's intuitive language. "Big,"
"small," "much," "many," "little," "few" are respectively nam
(quantity-space-ful),ynam (not-quantity-space-ful), nE
(quantity-matter), nEn (quantity-matter-plural), nyn
(quantity-not-much), and ynEn (not-many,
not-quantity-matter-plural)--again, nothing too reminiscent of the
numerous world-wide size and quantity words of the type mek, men, mel,
pel, or pen often discussed by Morris Swadesh. The color names, too,
have what I find an oddly cold, bloodless, and super-logical quality:
"white" and "black" are bim("together-light-quality") and ybim
("not-white"), but the other colors are simply numbered in spectral
order--a*im "red" ("first-light-quality"), e*im "yellow"
("second-light-quality"),i*im "green" ("third-light-quality"), u*im
"blue" ("fourth-light-quality"), and o*im "violet" ("fifth-
light-quality"), a name-scheme that presupposes knowledge of the
electromagnetic spectrum but owes nothing to the symbolic intuitive
language.They do not have the sort of resonance with natural human
languages found, for instance, in Loglan & Lojban blanu "blue,"
Loglan & Lojban blabi "white," Loglan brona Lojban bunre "brown,"
or Loglangrisi Lojban grusi "gray."
From u "man, person," aUI has derived yvus "woman"
("passive-person-thing"),bvu "husband" (together-active-person"), byvu
"wife" ("together-passive-person"), vom "male" ("active-living,
active-life-quality"), and yvom "female" ("passive-living, not-
active-life-quality"). "Father" and "mother" are respectively ytvu and
ytLu, literally "not- toward-active-person" and
"not-toward-round-person," that is, "originating-active-person" and
"originating-round-person," or "active progenitor" and "round
(pregnant) progenitor." Once again, a total detachment from the
Swadeshian intuitive sound-symbolic language. Compare aUI
"yvus" for "woman" with Loglan "fumna," Lojban "ninmu," or aUI
"ytvu" and "ytLu" for "father, mother" with Loglan "farfu, matma" or
Lojban "patfu, mamta":the aUI "mother"-words, especially, just
sound light-years removed (pun intended) from such human "mother"-words
as English "mother, ma, mom, mommy," French "mère," Spanish
"madre, "German "Mutter," Russian "matj," Hindi "mâtâ,"
Estonian "ema," Hungarian "anya," Turkish "anne," Arabic "umm," Hebrew
"em," Swahili "mama," Zulu "umame," Chinese "mû," Korean "mo,"
Thai "mää," Vietnamese "me," Tagalog "iná," Tamil
"ammaa," Eskimo "anaanak," Lakota "ena," Nahuatl (Aztec) "naan,
naantli," Yucatec (Mayan) "nan," Tarascan "naná," Cuna (San
Blas) "nan," Mosetene "ñoño," etc., that have so
impressed linguists like Otto Jespersen and Morris Swadesh with their
strong suggestion of a probable natural psychological sound-symbolism
linking the nasals "m, n" with "mother, breast, suck," etc.
On the other hand, aUI does strike me as producing something
inadvertently "Gemütlich," "homey," and "warm-fuzzy" in its word
for "friend," bru, "together-good- person," which suggests the purring
of a contented cat, as well as English "brother" and German "Bruder"!
The same is true for the very similar aUI word for "peace,"
brU,literally "together-good-spirit" or "together-positive-mind."
However,"beauty" and "beautiful" are expressed as riO,
"good-light-spirit" and riOm, "good-light-spirit-quality,"
"good-light-spirit-ful," which perhaps do not seem to sound quite as
"beautiful" by human natural-language standards as Esperanto "bela,"
Loglan "bilti," Lojban "melbi", with their echoes of French "belle,"
Spanish & Italian "bella," and Chinese "mêili." Lojban "melbi
nixli," Loglan "bilti nirli," and (despite the awkwardness and sexism
of "knabino" with its kn- beginning and derivative feminine ending)
Esperanto "bela knabino" seem far more intuitively plausible as
"beautiful girl" to me than does aUI "riOm yn-yvu"--or maybe that
simply proves that I myself happen to be more accustomed to admiring
pretty girls from Earth than from Zeta Reticuli or Epsilon Eridani?
I wrote the aUI nasalized vowels as a*, e*, i*, o*, u*, y*,
A*, E*, I*, O*, U*, Y*. Weilgart himself in fact used underlining in
his books for the nasal vowels, but underlining is not easily supported
on the net. However, the change is really not important, because
Weilgart also gave the hieroglyphics in which our Space Brothers
themselves write aUI, and used his Romanized transliteration
only as a pedagogic aid for beginning learners.
To give you all a few more examples of how aUI words are
constructed out of the one-letter aUI primitives:
"God" is kU "up-spirit," "above-spirit," "high-spirit"
"angel" is kna-u "up-many-space-person"
"Satan" is yrkU "not-positive-high-spirit," "not-good-up-spirit"
"animal" is os "life-thing"
"domestic animal" is bos "together-life-thing"
"dog" is waubos "power-space-human-together-life-thing
"cat" is bo*zvos "together-five-part-active-life-thing"
"horse" is ukbos "human-above-together-life-thing"
"lion" is ko*zvos "above-five-part-active-life-thing"
"bird" is kEos "above-matter-life-thing"
"fish" is jEos "horizontal-matter-life-thing," "even-matter-animal"
"tree" is tok "toward-life-above," "direction-life-up"
"fruit" is ot "life-toward," "life-to," "life-direction"
"apple" is nakot "many-space-up-fruit"
"water" is jEn "even-matter-many," "horizontal-matter-many"
"liquid" is jE "even-matter," "equal-matter," "horizontal-matter"
"air" is kE "up-matter," "above-matter"
"fire" is iE "light-matter"
"burn" is iEv "light-matter-act," "light-matter-do"
"stone" is wE "power-matter," "strong-matter"
"sun" is a*ki "first-above-light," "first-high-light"
"moon" is e*ki "seccond-up-light," "second-high-light"
"star" is ki "up-light," "above-light," "high-light"
"boat" is jEged "liqquid-inside-movement-through"
"car" is (da)ged "(through-space) inside-movement-through"
"airplane" is kEged "up-matter-movement-through", "air-car"
"house" is uga "human-inside-space," "people-inside-space"
"gold" is e*i-krE "yellow-above-positive-matter"
"iron" is wrE "strong-positive-matter"
"hydrogen" is Ez-a* "matter-part-first," "matter-part-one"
"oxygen" is okEz "life-above-matter-part"
"see" is iOv "light-feeling-act," "light-feeling-do"
"hear" is IOv "sound-feeling-act," "sound-feeling-do"
"eye" is IOz "light-feeling-part," "see-part," "vision-part"
"ear" is IOz "sound-feeling-part," "hearing-part"
"hand" is bo* "together-five"
"foot" is yk-bo* "not-up-together-five," "lower-hand"
"head" is kUg "up-mind-inside," "high-spirit-inner"
"neck" is kogz "up-life-inside-part"
"mouth" is ogta "life-inside-toward-space"
"nose" is kEmOz "up-matter-quality-feeling-part"
"tongue" is gOz "inside-feeling-part"
"tooth" is odzEvz "life-through-part-matter-do-part"
"eat" is dov "through-life-act"
"drink" is jEv "even-matter-act," "liquid-act," "liquid-do"
"go" is av "space-do," "space-act"
"come" is tev "toward-movement-do," "toward-movement-act"
"big" is nam "many-space-quality"
"small" is yna "not-many-space"
"long" is a*nam "first-many-space-quality"
"wide" is dam ""through-space-quality"
"good" is rUm "positive-spirit-quality"
And so it goes!
Copyright 2000
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